Switchfoot seems to be in a constant state of change. No album sounds exactly like its predecessor. No song is interchangeable with another....

If you were to gift your friend with a mix CD full of legendary 60s/70s country-rock (something akin to The Very Best of Eagles-meets- Lords...

I love this woman's music. I love her melodies, I love her Melissa Etheridge-y pseudo-yodel when she gets into a song, and now I love th...

The chillwave movement has wrapped me in its ambient embrace and I've been most recently floored by Ernest Greene's one-man electrop...

Sondre Lerche always looks like he's up to something. He has a mischievous twinkle in his eye that says he has several aces up his sleev...

For a long time, I've been a complacent admirer of Death Cab's work, but after hearing this seventh album, my admiration has explode...

The first time I heard The Civil Wars' breakout single "Poison & Wine," I about passed out from its all-around perfectnes...

Eisley is a family band that gets it right. The DuPrees – three sisters, a brother, and a cousin – rise above the occasional Partridge Famil...

The Wind’s Harum-Scarum is the best album I never would have heard this year had it not been for the band contacting me personally (because ...